![]() And we're back to what Disney thinks kids think is cool. The whole thing would just about be tolerable if it wasn't for the Swiss Army Knife-extension surgery scene that's handled in such a hacked "Hackers" style. ![]() Hanging out at here are a bunch of characters resembling Biff's gang from "Back to The Future II" and so much like the Mos Espa Mod Squad we saw last week. Fett takes Shand's body to an Orange County chop shop back street modification parlor so instead of getting say, a cool Maori arm tattoo, you could get a cool new arm. ![]() Imagine having a built-in Mattel stereoscope View-Master! You could look at pictures of planets all day (Image credit: Disney/Lucasfilm)Īnd then comes the first of this installment's cringeworthy set pieces. We even hear the soft, subtle sound of spurs jingling once again - just like we did that episode of "The Mandalorian" - even though we rarely hear Fett making this sound at any other time, it's a nice, noted attempt at conformity. These are the flash charges that Din Djarin and the nice-but-dim wannabe bounty hunter Toro Calican use in their attempted assault on Fennec Shand's (Ming-Na Wen) position we saw in the fifth chapter of "The Mandalorian," titled " The Gunslinger." By the time Fett arrives on the scene, Shand has been shot by Calican and left for dead. Related: 'The Book of Boba Fett' offers colorful new additions to Tatooine culture And that's been parked at Jabba's palace since he delivered Han Solo, frozen in carbonite, in-between "Episode V: The Empire Strikes Back" and "Episode VI: Return of the Jedi." While he's camped out and observing the patrol routines of the palace security guards, he spots flash charges illuminating the Tatooine night sky many miles away. The episode begins with Boba Fett (Temuera Morrison) making plans to avenge the murder of his Tusken tribe by the Kintan Striders, and in order to do this he needs superior firepower, which means getting his ship back. Shifting from one style to another drastically different one, in successive installments, causes a clash that prevents the viewer from achieving a fully immersive experience. One minute "The Book of Boba Fett" feels like a gritty, entertaining sci-fi drama (i.e., Chapter 2: " The Tribes of Tatooine"), and the next minute the same show feels like it's been aimed at kids with the added bonus of probably pushing a new toy line (that would be this week's episode). "Stromtrooper on Spike" by the Tuskan Art Appreciation Society, on view for a short time in Mos Eisley (Image credit: Disney/Lucasfilm)
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